Defining the Terms "Wet" and "Dry"
In the context of audio recording and mixing, "dry" and "wet" are terms often used to describe the level of reverberation or ambience applied to an audio signal. A "dry" sound refers to a signal that has little to no reverb or ambience added to it. It typically has a more direct and upfront quality with minimal room reflections or spatial characteristics. Dry sounds are commonly used when a clean and close-miked sound is desired, such as in genres like pop, rock, or hip-hop, where the focus is on a clear and intimate sound.
On the other hand, a "wet" sound refers to a signal that has a significant amount of reverb or ambience added to it. It has a more spacious, reverberant, and atmospheric quality. The added reverb creates a sense of depth and can make the sound feel like it's in a larger room or space. Wet sounds are often used in genres like ambient, classical, or film scoring, where a more immersive and atmospheric sound is desired.
The terms "dry" and "wet" can also extend beyond just reverb and ambience and be applied to other effects, such as delay or modulation effects. In those cases, "dry" would refer to the unaffected or unprocessed signal, while "wet" would indicate the level of the effect applied to the signal. It's important to note that the usage of "dry" and "wet" can be subjective and may vary depending on the context and individual preferences of the engineer or producer.